BEHRINGER FIREPOWER FCA610 POWER HOW TO
BEHRINGER FIREPOWER FCA610 POWER MAC OS X
BEHRINGER FIREPOWER FCA610 POWER UPDATE
BEHRINGER FIREPOWER FCA610 POWER PORTABLE
BEHRINGER FIREPOWER FCA610 POWER PRO

Reliable Windows XP, Windows Vista, Windows 7 drivers and Mac OS X support ensure ultra-low latency operation. The two headphones jacks are conveniently located on the front panel, with a dedicated volume control.īoth FIREPOWER FCA610 interface feature state-of-the-art, high-resolution 24-bit A/D-D/A converters, supporting up to a 96kHz sampling rate. Outputs accept both balanced and unbalanced 1/4' connections. Inputs are balanced 1/4' jacks that accept a wide range of line-level devices. On the rear panels of the FCA610, you'll have ports that give you the choice of using FireWire and USB 2.0. The half-rack-space FCA610 stows easily in your travel kit. All standard I/O formats are supported including analog and S/PDIF (both coaxial and optical). Built-in MIDI I/O allows you to connect keyboards and other outboard MIDI hardware.

BEHRINGER FIREPOWER FCA610 POWER PORTABLE

The portable FCA610 can receive power from your computer's 6-pin FireWire bus or via the included external power supply. Includes: Interface, Power Supply, USB Cable, Firewire Cable, Manual, Original Box.Ħ In / 10 Out, 24-bit/96kHz FireWire/USB Audio/MIDI interface with MIDAS preamplifiers.ĭue to its small size and low-latency operation, 6 In/10 Out architecture, plus two highly-acclaimed MIDAS designed mic preamps, the FCA610 is a dream come true for traveling musicians who record and edit on their laptops. Overall, I'm SUPER impressed with this unit.Excellent condition, barely used, upgraded to an interface with more channels. The FCA610 also looks very nice, and appears quite well built.

BEHRINGER FIREPOWER FCA610 POWER UPDATE

I'm contemplating maybe launching Audacity in the background and leaving it in record mode to keep the interface turned on? I'll update when I find out if this works. It's definitely an issue, and I will report back if I come up with a solution. Now, I can't seem to do that, as the device goes to sleep and doesn't pass the audio. The problem is: with my old interface, I passed the outputs of my Blackmagic video card thru the interface to use it as a monitor controller for Avid Media Composer. When you play audio, it re-connects (with a slight pop in the speakers) and begins working nearly instantly. When not playing audio, thru PT, or a web browser, or any other software, the USB/FW connection light turns off and the unit goes to sleep. One issue I am having, and haven't yet found a solution to, is that the interface seems to only pass audio when it is actively 'connected' to the computer.

Very handy for surround monitoring, and a huge feature, lacking in many higher priced interfaces. At that point, the knob perfectly and simply controlled ALL of the analog outputs. To gang the channels, so they're all controllable via the hardware knob on the front of the device, you simply need to push the little button next to the volume knob (from memory, it says something like 'group outputs' or words to that effect). But once I figured out that you need to right-click in the 'Output' tab of the I/O Settings, and choose 5.1, it all instantly made sense, and worked like a dream! I was able to very quickly migrate the project from a prior interface to this one, with virtually zero hassles. At first, I couldn't get surround output to work.

BEHRINGER FIREPOWER FCA610 POWER PRO

One thing: in Pro Tools, the unit defaults to 5 stereo output pairs. No serious measurements here to report, but I was VERY happy with the sound. I felt I could have probably lowered the buffer more, but I didn't, as I was perfectly happy with the setting as it was. I was able to reduce my playback buffer to 128 samples, in a pretty resource heavy project, and it played back perfectly, without a single issue.

BEHRINGER FIREPOWER FCA610 POWER HOW TO

Once I correctly got the device connected via USB (mine came with a manual addendum explaining how to do this, as apparently lots of folks get confused), I was able to use it straight away in Pro Tools HD, and was surprised by the quality of the playback, and the efficiency of the unit. While I'm absolutely certain the RME is a fantastic unit, I didn't need the quality inputs for the added cost.īack to the Behringer: on the Mac, there are no drivers required. Then the next unit I found that would do it was the RME for well over $1000. The Steinberg UR28M does this, for a bit more than double the price, but it only has 6 discreet outputs, and I needed 8 for a separate ADR headphone mix. It turns out there are very few interfaces (and virtually zero, in this price range) that will allow you to do that. Additionally, I needed an interface that would allow me to control all of the discreet analog outputs at the same time, using the volume knob on the front of the device. I work in audio post production, and I needed an interface that would allow me to mix in surround, while using Pro Tools HD.

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